How small and mid-size companies can develop sustainable solutions and benefit from it as well.
Weatherchem Corp. |
Producing world-class solutions for a dynamic food packaging market.
Alcan Packaging |
Printpack offers a variety of innovative packaging systems and solutions for everything from meats and cheeses to bulk liquid processing.
Printpack Inc. |

- find design inspiration from around the world
- conduct a worldwide category audit for new design projects
- inspect minute details with high-resolution imagery, multiple views
- conveniently arranged by product category
- new images uploaded daily
Global Package Gallery
|
Shelf Impact! Advisory
Board
Eric Ashworth
Chief Strategic Officer
Anthem Worldwide
Laura Bix, PhD
Assistant Professor, School of Packaging
Michigan State University
Marie Curi
Brand Consultant
Curiousity, LLC
Dennis Furniss
Vice President, Strategic Branding
BrandScope
Robert Hall
Vice President of Brand Development
Boston Beer Co.
Michael Livolsi
Brand Identity and Packaging Design Consultant
Brian Wagner
Vice President and COO
Packaging & Technology Integrated Solutions
Rob Wallace
Managing Director
Wallace Church, Inc. |
|
Coca-Cola sets personal record with Olympic-themed packaging
By Jim George, Editor-in-Chief
Coca-Cola Co. developed an innovative way to embellish its
sponsorship of the Olympic Games by leveraging packaging.
Specially designed cans and bottles of Coca-Cola gave the
company a window to tie the brand’s identity together
with the ideals of wholesomeness and the positive aura of
the Summer Olympic Games in August in Beijing, China.
The company accomplished those objectives by creating Olympic-themed
cans and bottles bearing a multitude of design variations that
were marketed in region-appropriate packaging to more than 150
countries.
Coca-Cola, Atlanta, GA, has been a continuous sponsor of
the Olympic Games since 1928. It has never produced Olympic-themed
packaging on such a grandiose scale.
The packaging’s graphic elements and guidelines incorporate
brand elements from both the East and West. The company’s
approach positioned Coca-Cola as an active participant in
the Beijing Games, rather than a passive sponsor, says Kevin
Tressler, Director of Worldwide Sports and Entertainment Marketing
at Coca-Cola.”
“Packaging is the best way to interact with consumers,”
Tressler adds. “The broadest aspect of the program is
the rollout of commemorative packaging that, more than anything
else, indicates the company’s support of this year’s
Olympic Games.”
Coca-Cola, working with Schawk
and its Anthem Worldwide
division, created eye-catching color bands, rich graphics,
and text in different languages on 12-oz cans and on limited-edition,
20-oz PET, contoured-glass and -aluminum bottles.
The graphics feature the Olympic rings, the date 08.08.08
representing the start of the Beijing Games, and other imagery
associated with Coca-Cola’s Olympics sponsorship.
Special labeling features Chinese characters used to phonetically
pronounce Coca-Cola. The characters form the trademark for
Coca-Cola in mainland China. Along with the Chinese rendition
of the trademark in the familiar Coca-Cola Spencerian script,
the traditional spelling of Coca-Cola in the local language
also appeared on commemorative bottles or cans.
In the U.S., collectible cans and “FridgePacks”—paperboard
cartons dispensing 12 cans—began appearing May 19. The
cans took the form of a six-pack featuring photography of
various U.S. gold medalists. In other countries, special packaging
rolled out in languages such as Ethiopian, Russian, Thai,
and Mandarin.
The 20-oz bottles featured festive labels in multiple languages,
including those of the U.S., Bangladesh, China, Egypt, Georgia,
Israel, Korea, Nepal, and Sri Lanka.
Anthem worked with Coca-Cola to create, refine, and coordinate
the overall design strategy. Michael Coleman, Managing Director
of Anthem’s Chicago, IL, office, tells Shelf Impact!
that Anthem offices globally collaborated with Coca-Cola on
the design parameters. They decided on several design systems,
with eight to 12 SKUs in each design system. Each region had
sufficient latitude to adapt the central artwork to suit local
cultures and remain within the confines of the overall design
strategy, Coleman explains.
|
 |
INTELLIGENCE ON
DESIGN
When commodities become brands, ‘loyalty beyond
reason’ builds value and sales
By Rick Barrack,
Chief Creative Officer and Partner, CBX |
In today’s struggling economy, marketers need to come
to terms with a new reality. Your true-blue, perennially loyal
customers are cheating on you. They have developed a wandering
eye—and they are checking out other brands, including
private-label, with gusto.
Consumers are looking everywhere for ways to save money.
Comparison shopping, and the cost savings it can yield, is
one easy way to do so. Purchasing private-label is another.
Store-brand sales now account for one of every five items
sold in U.S. supermarkets, drugstore chains, and mass merchandisers.
According to the Private Label Manufacturing Association,
sales of private-label products are up by $5.4 billion in
2008 vs. 2007, to a record $74 billion.
Most at risk for customer loyalty fallout are commodity brands. Less expensive, seemingly equal counterparts surround everyday products like toilet paper, dog food, and bread at every turn, making a switch away from your product all too easy and attractive. Is it possible under these conditions to retain and gain brand loyalty, and also to build value for your commodity brand? The
answer is yes, with caveats that consider today’s consumer
and marketplace. The key to being a standout in a crowded commodity
category and keeping/finding new customers is showcasing a real
point of difference or an innovation, and clearly communicating
it to consumers. This is the best way to build brand value and
engender loyalty. Brands cannot compete on price alone but must
give consumers a reason to understand why their brand sells
for a higher retail price.
Here are three brands that do a good job of communicating
value:
1. Evian has an extremely loyal consumer base. The bottled-water
brand positions itself as the first mineral water from the
French Alps, a place suggestive of all things clean and pure.
Evian was the first to package water in plastic bottles (1969)
and then brand it. The brand’s packaging graphics prominently
feature the Alps, along with text reinforcing the purity message.
2. Sugar in the Raw is packaged in a brown color, instead
of the category’s usual white, to exploit its unique
qualities and stand out from the competition. Before the days
of chic organic products, Sugar in the Raw surprised consumers
with its chunky brown granules to make consumers wonder: Is
this what real sugar looks like? The natural brown-colored
carton, with a logo that stretches across the entire package,
allows it to claim a leadership position. This approach makes
regional players like Domino look generic.
3. Kibbles ’n Bits dog food focuses on “what
a dog wants.” The brand promises a delicious, satisfying
meal experience while also recognizing the fun and meaningful
experience of owning and caring for a dog. All aspects of
the brand’s package design—from the colorful and
playful brandmark and the selection of specific dog breeds
and photography, to the free-flowing presentation of the product
pieces—reinforce this concept. Packaging helps the brand
sell the message about dog food that not only meets basic
requirements of taste, nutrition, and quality, but also bears
relevance to the dog owner’s life and relationship with
his or her dog.
|
 |
STRATEGICALLY SPEAKING
Insights from 'in-context' brand discussions
|
If
you really want to know how and why consumers purchase and
use your product, Heather Maxwell recommends holding these
discussions “in context.” By doing so, you can
make more informed decisions in package design.
Success requires talking on-site to shoppers and store associates
about your brand, says Maxwell, Consumer Insights Associate
at General Mills. Brand marketers and designers are doing
that universally, right? A little informal polling shows something
quite different actually is happening. At two recent conferences,
audiences consisting of brand, marketing, and design managers
were asked whether they do in-store research. A lot of hands
went up when those managers were asked if they visit stores.
Far fewer hands rose when attendees were asked whether they
talk to people in the store as they shop or stock shelves.
At a recent conference called PROOF: Packaging Connects,
Maxwell explained that in-context discussions about your products
push those who are responsible for package design and development
into their product’s “habitat” in the store.
These discussions also reveal the gap between what consumers
and store associates say and what they do.
Case in point: General Mills noted good initial returns for
one of its products during package-design testing at a grocery
store, but then sales mysteriously slowed. Maxwell visited
the store and happened upon a stock clerk who revealed his
inability to keep the product stocked fast enough on a shelf
near eye level. He solved the problem by moving the product
to the top shelf, where fewer consumers noticed it and could
reach it. As might be expected, sales dipped.
“Conventional research would not have detected this
as the reason,” Maxwell said.
Useful in-context insights also were gleaned in conversation
at our table over lunch during PROOF. One man said he uses
a box cutter to reduce the carton size in his pantry as his
kids eat their cereal. A woman revealed that she uses tongs
and other kitchen utensils to grab onto holes she pokes into
cartons she stores on the top shelves of the narrow pantry
in her high-ceiling kitchen. Each of these compensating behaviors
has potential implications for package design.
What insights can you glean from your own in-context discussions?
The answers may help you solve consumer challenges or fill
a gap in your category—and increase sales.

|
Institute slates design seminar at Clemson
The Sonoco Institute will lead the seminar Streamlined
Package Design Nov. 3-5 at Clemson University’s
Printing and Research Center, Clemson, SC.
The seminar will outline the opportunities and challenges
of contemporary package design. It will illustrate the value
of understanding design theory, virtual tools, and new technologies
to maximize product and package innovation, efficiency, and
sustainability.
Target attendees include packaging professionals such as
marketers and related titles who are responsible for product/package
development.
|
Package Gallery
A closer look at the newest trends in today's packaging.
Shape adds new dimension to the ‘wall of cake’
Shape adds a spark to the baking aisle with Mr Kipling
Cake Bites from Premier Foods. The bite-sized, individually
wrapped sponge cakes come in flip-top paperboard packages
shaped like a cake.
Each of the six-color, litho-printed packages, designed
and produced by Sonoco, contains 15 Cake Bites. The
treats are available in the Strawberry & Vanilla,
Lemon, and Caramel varieties.
The cartons provide two-high retail-shelf display.
They add another bonus by running efficiently on Premier
Foods’ filling lines.
“We are delighted with Sonoco’s total packaging
solution,” says Rachel Pirt, Senior Brand Manager,
Mr Kipling Innovation, at Premier Foods. “Sonoco’s
vibrant, flip-top Sono-wrap cans really help the Mr
Kipling brand break through what consumers call the
‘wall of cake’ in stores.”
Package dimensions are 5 1/2” x 5” x 4”.
The flexo-printed base lists the product ingredients
and nutrition information.
|
Whisky brand’s got game with bright-white carton
Shelf presence is everything for spirits brands in
which the carton is the first billboard that consumers
see. For premium brands, the graphics need to be stunning,
and Scotland-based Edington Group accomplishes that
objective with its high-end Black Grouse Scotch Whisky.
Edington uses board-to-board laminated overcartons with
bright-white Incada paperboard from Iggesund.
The paper provides the high-contrast background necessary
to maximize the brilliant hues of a black grouse standing
on its perch.
The carton’s five-color lithographic printing
with a satin finish, gold foil stamping, detailed embossing,
and spot gloss varnish also highlight the graphics and
text.
The Forest
Stewardship Council (FSC) certifies the board used
for the carton. The FSC is an independent, international
organization that maintains and manages forests used
as sources of wood, paper, and other pulp products.
Black Grouse is marketed at travel retail stores and
select supermarkets in Europe, Russia, and South Africa.
|
‘Kangaroo tub’ nests smaller, related
product
Products used by trade customers might not need the
branding components that hook consumers in retail stores,
but the package still has to function optimally. Avlon
Industries, Melrose Park, IL, faced that challenge with
one of its best-selling products, Affirm Crème
Relaxer, used in salons.
Because the product is intended for salons, package
design previously had not been a priority. However,
it became clear that the product’s package was
inhibiting proper use by salon employees.
“Traditionally, we had just taped the 4-oz plastic
bottles of Protecto pre-relaxer conditioner to the 4-lb
buckets of Affirm,” says Zohaira Rizvi, Avlon
spokesperson. “But after the tape was removed,
the pre-relaxer bottle often was misplaced and never
used. We knew there had to be a better way.”
Working with TricorBraun,
Avlon created the “kangaroo tub,” a custom,
high-density polyethylene, 4-lb bucket. The bucket includes
a molded indentation where the Protecto 4-oz bottle
snaps in place. The small bottle tucks neatly into the side of the bucket
to make shipping and storage more space-efficient.
“This package delivers in several important ways,”
Rizvi explains. “It makes assembly quicker and
more efficient, it makes the product easier to use at
the salon, and it enhances our company’s image
as an innovative industry leader.”
|
|
|